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Interview with artist James Hawksley

James Hawksley is an artist who's passion is Lanscapes and Portraits. His portraits have been entered into the National Portrait Competition. Lets get to know James Hawksley a bit better:

1. Background of yourself/Biography of yourself up until present day

Being artistic runs in the Hawksley family as both my father and brother are competent at sketching and my uncle is also an excellent painter.

Born in Nottingham in 1978, I was bought up in an average working class family in Chilwell on the outskirts of the city. I did poorly in art for my GCSEs due to my defiant attitude towards the importance of preparation work as I didn’t feel the need to do it. That attitude carried on through to college, where I did actually pass my course and received a GNVQ.

After a spell in Devon I moved back to Nottingham in October 2000. Since then I've taken on several full time jobs as well as juggling my art career but was made redundant last December. As times are hard, I've taken the opportunity to concentrate on my art career and hopefully make up for those poor grades at school by taking new courses.

2. Explain your style of art

My style ranges from classical, to realism and sometimes a mixture of contemporary and classical, like William Turner.

artist interview James Hawksley
James Hawksley

3. Who are your influences?

I'm inspired by the great masters such as Anthony Van Dyke, Thomas Gainsborough and George Romney, as well as some of the more modern day artists such as David Dipnall.

4. Where do you seek inspiration for your art?

My inspiration comes from my love of history and nature because as a child I used to visit National Trust and English Heritage properties with my parents. One of the key moments from those visits was when I was on a school trip and became aware that all the historical characters from the painting in the state rooms were looking down at me.

Those paintings really stuck in my mind and I quickly began to develop an interest in history and the paintings of the great masters. I also dreamt of having my own historical characters in my room just like the country houses had visited.

My love of nature and landscape painting only really began in 2000. I spent 3-4 years living by the coast and in the Devonshire countryside during the 1990's during which time I spent my early mornings driving through the countryside. Even when it was 5.00am, pitch black, gale force wind and rain and having to hike up a coastal path, or country lane soaked to the skin, I still enjoyed the elements.

Part of my inspiration for the landscapes comes from music. I listened to a lot of very atmospheric experimental folk music/ metal, which is very influenced by the dark side of nature. It's something that had stuck with me and I still play that music when I do some of my landscape paintings.

5. Where did your desire to become an artist come from?

I don't really know. I was always drawing for as far back as I can remember. I wanted to be like Rolf Harris as a child, however, I never really wanted to become a full time or professional artist until recently. I got too attached to my paintings at first and didn't want to part with them.

The realisation that people wanted to buy my paintings finally made me believe I could actually become a full time artist. It was around 2001 when I saw a print by David Dipnall in shop with a healthy price tag, and I thought to myself, "Yes, that’s the sort of level I'm going to have to achieve to start making some money".

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Breaking Art News

Headline: Lucian Freud Exhibition at NY MOMA

NEW YORK, December 12, 2007'Lucian Freud: The Painter's Etchings, on view at The Museum of Modern Art in New York from December 16, 2007, to March 10, 2008, highlights the artist's exceptional achievements in the medium of etching and explores the crucial relationship between these works on paper and his works on canvas.  In a career spanning more than six decades, Freud (British, b. Germany, 1922), has redefined portraiture and the nude through his frank scrutiny of the human form.  Although best known as a painter, Freud has made etching a constant part of his artistic practice since 1982.  The full scope and significance of Freud's achievements in etching are represented here, ranging from rare, early experiments of the 1940s to the increasingly large and complex compositions created since his rediscovery of the medium in the early 1980s, including a new work completed in 2007.  Lucian Freud: The Painter's Etchings, Freud's first solo exhibition at The Museum of Modern Art and his first museum exhibition in New York City in 14 years, is organized by Starr Figura, The Phyllis Ann and Walter Borten Assistant Curator of Prints and Illustrated Books, The Museum of Modern Art... Click here for the rest of the story

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