3. Who are your influences?
Vermeer for his immaculate compositional ability
Paul Klee, for his philosophy and experimentation
Joan Miro, for his sheer exuberance, freedom and joy.
I would not say that any of these have particularly influenced me though. I like art that doesn't lead me, I like mystery and being forced to make my own interpretation of the picture I look at. Sometimes I don’t understand my own paintings.
4. Where do you seek inspiration for your art?
My inspiration comes mainly from within my own consciousness where I see things in terms of different images and colours. I often regard myself as a ‘translator’ – taking those visions, experiences and thoughts and turning them into their equivalent shapes, colours and images. With my pictures, creativity often comes about through improvisation and serendipity.
Within my work I aim to distill ideas and processes into nuanced and slightly mysterious artworks that evoke image, mood and substance. Music, literary references, the tension and cross-pollination of beauty and decay – all find their way onto my canvas. When I am painting I work hard to let go and trust my inner senses. When the painting seems to be finished I ask myself, “Is this picture open enough to allow the viewer to enter into the painting and find their own meaning or story?” If the answer is negative, I pick up my brushes again.
5. Where did your desire to become an artist come from?
I don’t believe anybody becomes an artist - everybody is born an artist. But to be a successful artist it is sometimes necessary to spend much of our adult life trying to discard the reservations inculcated in us...