15th November 2007
The Directors of Thomas Dane Gallery are pleased to present the first London exhibition of Italian photographer Luisa Lambri. The exhibition will feature new works which characteristically focus on Modernism and its legacies. The buildings featured in the exhibition include the Darwin D. Martin House, Buffalo, 1903-05 and the Hollyhock House, 1917-21, Hollywood (Frank Lloyd Wright), the Teatro Regio, Torino, 1973 (Carlo Mollino), the Cimitero Monumentale Brion, 1978 (Carlo Scarpa), the House in A Plum Grove, Tokyo, 2003 (SANAA) and the Rietveld Schroeder House, Utrecht, 1924-25 (Gerrit Rietveld).
copyright Luisa Lambri, courtesy Thomas Dane Gallery, London. Centraal Museum, Utrecht
copyright Luisa Lambri, courtesy Thomas Dane Gallery, London. Centraal Museum, Utrecht
copyright Luisa Lambri, courtesy Thomas Dane Gallery, London. Centraal Museum, Utrecht
Lambri's almost abstract and ethereal photographs stand apart from typologies and documentary traditions of architectural photography. Lambri places herself and the viewer within the mostly domestic architecture, proposing a more personal and intimate recording of the building's atmosphere, her experience of the space and her developing relationship to it. Her approach could be described as a form of self-portraiture. It oscillates between empirical representation and abstract subjectivity.
Lambri combines traditional means and new digital techniques in order to further liberate her work from pure documentation. This digital adjustment appears invisible yet it is fundamental to her photographic process, allowing her to create a final image whose atmosphere is capable of transcending not only the building's function but also its location. Her choice of titles become literal examples of this in that they refer only to the name of each building, mentioning neither the architect nor the location. Frequently working in series, Lambri isolates a detail ? often an aperture, a window, some shutters or blinds - which is declined in delicate variations of light and shade. Here minute changes between images within the sequence emphasise themes of space and the passing of time, as well as referencing photographic and art-historical preoccupations.
In this vein, a new suite of six views from Wright's Darwin D. Martin House are reduced to mysterious slivers of light interrupting the darkness in what might be read as an homage to Dan Flavin or even Vladimir Tatlin. In contrast, a pair of images taken within Scarpa's Cimitero Monumentale Brion, outside Venice, transforms brutalist concrete to a light-suffused abstraction. Rietveld's famous Rietveld Schroeder House is distilled to essential primary colours, conjuring Suprematist references, while the ceiling of Carlo Mollino's Teatro Regio in Turin, is metamorphosed into fractal, almost gem-like images.
The work is given its ultimate meaning when it is carefully adapted to a new space, and the relationship between composition and space, and between the viewer, the object and the space itself is established.
The exhibition will take place in the main galleries in Duke Street as well as in the nearby Annex at 14 Mason's Yard.
About Luisa Lambri:
Born in Como in 1969, Lambri studied Literature and Philosophy at the University of Milan. She currently lives in Milan and travels extensively. Her work has been exhibited in dAPERTutto, 48. Esposizione Internazionale d'Arte, Venice, 1999, and Dreams and Conflicts: The Viewer's Dictatorship, 50. Esposizione Internazionale d'Arte, Venice, 2003. Recent solo exhibitions include the Baltimore Museum of Art, The Carnegie Museum of Arts, The Menil Collection in Houston and Kettle's Yard, Cambridge. A solo exhibition at the Museum of Contemporary Art in Los Angeles is scheduled for February 2009.
